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______, "Strings in the 16th and 17th Centuries", Galpin Society Journal 27, 1974

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Aldrich, K. R., The Italian Influence on Dance in the Court of Elizabeth I, Master's (thesis), University of Oregon, 1979

Alexander, J., The English Lute Duet, 1570-1610, MA (thesis), University of Nottingham, 1977

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______, An Howres Recreation in Musicke (1606)

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______, "The Survival of Plainsong in Anglican Music: Some Early English Te-Deum Settings", Journal of the American Music Society 32, 1979

______, "The Origins of John Day's 'Certain Notes'", Music and Letters 62, 1981

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______, Andrews, H. (ed.), My Ladye Nevellls Booke of Virginal Music (by William Byrd) (1969)

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______, "The Printed Part-Books of Byrd's Vocal Music", The Library 5th ser. 19, 1964

______, The Technique of Byrd's Vocal Polyphony (1966)

______, and Dart, T., "Fourteenth-Century Polyphony in a Fountains Abbey Ms. Book", Music and Letters 39, 1958

Angelo, S., Public Spectacle in Early Tudor Policy, 1485-1547,
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______, "The Court Festivals of Henry VII", Bulletin of the John Rylands Library 43, 1960

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______, The Notation of Polyphonic Music 900-1600 (4th ed. ; 1949)

______, Harvard Dictionary of Music (1951)

______, Gregorian Chant (1958)

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______, "Elizabethan Choirboy Plays and their Music", Proceedings of the Musical Association 11, 1913-14

______, Catalogue of Music in the Library of Christ Church Oxford, (2 vols.; 1915-23)

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______, "Croce and the Madrigal", Music and Letters 35, 1954

______, "Gastoldi and the English Ballet", Monthly Musical Record 86, 1956

Ashbee, A., The Four-Part Instrumental Compositions of John Jenkins, Ph.D. (thesis), University of London, 1966

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______, "Lowe, Jenkins, and Merro", Music and Letters 48, 1967

______, John Jenkins: consort music [Musica Britannica 26] (1969)

______, "Instrumental Music from the Library of John Brown (1608-1691), Clerk of the Parliaments", Music and Letters 58, 1977

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______, "A Not Unapt Scholar: Blustrode Whitelocke (1605-1675)", Chelys 11, 1982

______, Records of English Court Music (1, 1986-)

______, The Harmonious Musick of John Jenkins, I: The Fantasias for Viols (1992)

______, "Groomed for Service: Musicians in the Privy Chamber at the English Court, c.1495-1558", Early Music 25, 1997

______(ed.), William Lawes (1602-1645): Essays on his Life, Times, and Work (1998)

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______, Lasocki, D. and Holman, P., A Biographical Dictionary of English Court Musicians 1485-1714 (2 vols.; 1998)

______, and Thompson, R., The Viola de Gamba Society Index of manuscripts containing consort music (2001)

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Austern, L. P., Music in English Choirboy Drama, 1597-1613, Ph.D. (thesis), University of Chicago

______, "Thomas Ravenscroft: Musical chronicler of an Elizabethan theater company" Journal of the American Musicological Society 38, 1985

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______, "Nicholas Ludford (c. 1485-c1557)", Musical Quarterly 44, 1958

______, London Churches, their Music and Musicians (1485-1560), Ph.D. (thesis), University of Cambridge, 1958

______, "Some Biographical Notes on English Church Musicians, chiefly working in London (1485-1569)", Royal Musicological Association Research Chronicle 2, 1962

______, and Oboussier, P., "The York Masses", Music and Letters 35, 1954

Baines, A., "Fifteenth Century Instruments in Tinctoris', De inventione et usu musicae" Galpin Society Journal 3 (1950)

Baines, F., "The Consort Music of Orlando Gibbons", Early Music 6, 1978

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______, "John Case - an Elizabethan Music Scholar", Music and Letters 50, 1969

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______, "The Buxheimer Keyboard Manuscript", Music Review 16, 1953

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______, The Jacobean and Caroline Stage, (7 vols., 1941-68)

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______,(ed.), English Tudor Masses, II [Early English Church Music 16] (1975)

______ (ed.), Music in Denmark at the Time of Christian IV, II: Music for Instrumental Ensemble (1977)

Bernstein, J. A., The Chanson in England 1530-1640: A Study of Sources and Styles, Ph.D. (thesis), University of California at Berkeley, 1974

______, "Philip van Wilder and the Netherlandish Chanson in England", [Musica Disciplina 33] (1979)

Bertenshaw, D., The Influence of the Late Sixteenth-Century Italian Polyphonic Madrigals on the English Viol Consort Fantasy c. 1600-1645, A Background Study, Ph.D. (thesis), University of Leicester, 1992

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______, and Holbrook, P. (eds.), The Politics of the Stuart Court Masque (1998)

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Binford-Walsh, H. M., A comparison by Byrd's and Gibbons' service anthems, M. Music (thesis), Rice University, 1985 

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______(ed.), The Court and Times of Charles First (1849)

Bishop, S. D., British Library Additional Manuscripts 17802-17805: Latin Liturgical Polyphony in Reformation England, Ph.D. (thesis), University of Toronto, 1978

Bisson, N., English Polyphony for the Virgin Mary: The Votive Antiphon, 1420-1500, Ph.D. (thesis), Harvard University, 1998

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______, The Sacred music of the Lumley Books (British Museum, Royal Appendix Manuscripts 74-76) : an edition and critical study, Ph. D. (thesis) , University of Leeds, 1972

______, "A New source of Tudor secular music", Musical Times 72, 1981

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______(ed.), Studies in the Performance of Late Mediaeval Music (1983)

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______, N., The Musical History of Norwich Cathedral (1963)

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______, "16th Century Musica Ficta: the importance of the scribe"Journal of the Plainsong and Medieval Music Society 1, 1978

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______, "Fixed Points in the Chronology of English Fourteenth-Century Polyphony", Music and Letters 72, 1990

______, Cultivation and Promotion of Music in the Household and Orbit of Thomas Wolsey, In Cardinal Wosley: Church, State and Art, ed. S. J. Gunn and P. G. Lindley (1991)

______, "The aristocratic imitators of the Chapel Royal, 1485-1547",R oyal Musicological Society Conference, Southampton University 1993] [Unpublished paper]

______, The Musicians of the Lady Chapel of Winchester Cathedral Priory, 1402-1539, Journal of Ecclesiastical History 45, 1994

______, Lincoln Cathedral: Music and Worship to 1640, In A History of Lincoln Minster, ed. D. Owen (1994)

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______, Canterbury Cathedral: The Liturgy of the Cathedral and its Music, c. 1075-1642, In A History of Canterbury Cathedral, ed. P. Collinson, N. Ramsey and M. Sparks, (1995)

______, "Early English voices", Early music review 53, 1999

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______, The musicians and liturgy of the Lady chapels and the monastery church, c. 1235-1540, In Westminster Abbey: The Lady Chapel of Henry VII eds. Tatton-Brown and R. Mortimer (2003)

______, "Fayrfax at the Chapel Royal", Early Music 32, 2004

______, "More on the Lambeth Choirbook", Early Music 33, 2005

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______, Music in the Medieval Cathedral Priory, In Christ Church Cathedral Dublin: A History (2000)

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______, A History of music at Christ Church, Dublin (2004)

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Boyer, S.,Music and Musicians at St. Paul's Cathedral , 1660-1714, Ph.D. (thesis), University of Manchester [In progress]

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Braun, W., Britannia Abundans: Deutsche-englische Musikbeziehungen zur Shakespearezeit (1977)

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______, "The Interpretation of Musica Ficta in English Music c. 1490-c.1590", Proceedings of the Royal Musical Association 97, 1970-01

______, The Part-Books Oxford, Christ Church, MSS. 979-83: An Index and Commentary" [Musica Disciplina 24] (1971)

______, "Baldwin's Commonplace Book: A Index and Commentary", Royal Musical Association Research Chronicle 12, 1974

______, More light on early Tudor pitch, Early Music 7, 1980

______, "Music and the Quadrivium in early Tudor England", Music and Letters 76, 1995

______, ‘Editing and Performing musica speculativa ', In English Choral Practice 1400–1650 , ed. J. Morehen (1995)

Brenet, M., Breviarium ad Usum Sarum (3 vols.; 1879-86)

Brennecke, E., John Milton the Elder and his Music (1938)

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______, "Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection", Transactions of the Cambridge Bibliographical Society 4, 1964

______, The Songs of William Byrd, Ph.D. (thesis), University of Cambridge, 1965

______, Consort Songs [Musica Britannica 22] (1967)

______, "The Two Musical Personalities of Thomas Weelkes", Music and Letters 53, 1972

______, William Byrd and his contemporaries : essays and a monograph (2007)

______, and Dart, R. T., "Songs by William Byrd in manuscripts at Harvard", Harvard Library Bulletin 14, 1960

Brice, D., The Folk-Carol of England (1967)

Brice, K., The Early Stuart's, 1603-1640 (1997)

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Bridge, J. C., "A Great English Choir-trainer: Captain Henry Cooke", Musical Antiquity 2, 1910-11

______, "The Organists of Chester Cathedral", The Journal of the Architectural, Archaeological, and Historical Society for the County and the City of Chester, N.S. 19, 1913

Bright, R. H., The Early Tudor Part-Song from Newarke to Cornyshe,
Ph.D. (thesis), University of Southern California, 1952

Brightman, F. E., The English Rite, I-II (1915)

Brissenden, A., Shakespeare and the Dance (1981)

Brodrick, G. C., Memorials of Merton College (1885)

Brookes, V. S., The Sources of British Keyboard Music to c.1660,
Ph.D. (thesis), University of London

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______, "Three Notes on Sebastian Westcott", Modern Language Review April 1949

Brown, A. M., "My Lady Nevelle's Book as a source of Byrd's keyboard music", Proceedings of the Royal Musical Association 95, 1969

______, Critical Edition of the Keyboard Music of William Byrd,
Ph.D. (thesis), Cambridge University, 1970

______, William Byrd. Keyboard music [Musica Britannica 27-28] (1969)

Brown, D., "Thomas Morley and the Catholics: Some Speculations", Monthly Musical Record 89, 1959

______, "The Anthems of Thomas Weelkes", Proceedings of the Royal Musical Association 91, 1964-65

______, "Thomas Weelkes", Recorder and Music Magazine 2, 1967

______, Thomas Weelkes: a Biographical and Critical Study (1969)

______, "William Byrd's 1588 Volume", Music and Letters38, 1957

______, John Wilbye (1974)

______, and R. Tirbet (eds.), Byrd Studies (1992)

Brown, H. M., "On the performance of fifteenth-century chansons", Early Music 1, 1973

______, Music in the Renaissance (1976)

______, "Instruments and voices in the fifteenth-century chanson", In Current thoughts in musicology, ed. J. W. Grubbs (1976)

______,"Choral music in the Renaissance", Early Music 6, 1978

______, Instrumental music published before 1600: A bibliography (1999)

Brown, own, P. A., John Dowland and the emergence of the English lute song, MA (thesis), University of Queensland, [In progress]

Brown, R. (ed.), Four Years at the Court of Henry VIII (1854)

Brown, S. E. Jr., The Motets of Ciconia, Dunstable, and Dufay, Ph.D. (thesis), Indiana University, 1962

Browning, A.D. J., The Odes of Purcell: a contextual study, Ph.D. (thesis), University of Birmingham [In progress]

Bruce, J.C., and Stokoe, J., Northumbrian Minstrelsy: a collection of the ballads, melodies and small-pipe tunes of Northumbria (1882, rep. 1998)

Buch, I., The Music of Robert Carver, Ph.D. (thesis), University of Washington [In progress]

Bukofzer, M. F. , "The Gimel, the Earliest Form of English Polyphony", Music and Letters 16, 1935

______, Geschichte des englischen Diskants und des Fauzbourdons nach den theoretischen Quellen (1936)

______, "The First Motet with English Words", Music and Letters 17, 1936

______, "The First English Chanson on the Continent", Music and Letters 19, 1938

______, "John Dunstable and the Music of His Time", Proceedings of the Royal Musical Association 65, 1938

______, "The Notation of polyphonic music", Musical Quarterly 30, 1944

______, Music in the Baroque Era (1947)

______, "Newly Discovered 15th Century Manuscript of the English Chapel Royal" Part II, Musical Quarterly 33, 1947

______, "The Music of the Old Hall Manuscript", Musical Quarterly 34, 1948

______,"The Music of the Old Hall Manuscript, Part 2", Musical Quarterly 35, 1949

______, "The Beginnings of choral polyphony", Studies in Medieval and Renaissance Music (1950)

______, "The Music of the Old Hall Manuscript, The Fountains Fragment", In Studies in Medieval and Renaissance Music (1950)

______, "Fauxbourdon Revisited ", Musical Quarterly 38, 1952

______, "John Dunstable: A Quincentenary Report ", Musical Quarterly 40, 1954

______, H. M., Instrumental Music Printed Before 1600: A Bibliography (1965)

Bülow, G. von, "Diary of the Journey of Philip Julius, Duke of Stettin-Pomeriania, through England in the Year 1602", Transactions of the Royal Historical Society New Series 6, 1892

Bumpus, J. S., A History of English Cathedral Music, 1549-1889 (2 vols.; 1908)

______, [Another ed.] (1972 reprint)

______, The Organists of St. Paul's Cathedral (1891)

Bumpus, T. F., Cathedrals of England and Wales ( 3 vols.; 1958)

Burden, M., Performing the music of Henry Purcell (1996)

______, "To repeat (or not to repeat)? Dance cues in Restoration English opera", Early Music 35, 2007

Burgess, F. (ed.), The English Gradual (1871)

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Burney, Charles, A General History of Music (4 vols., 1776-89)

Burrows, D., Handel and the English Chapel Royal during the Reigns of Queen Anne and King George I, Ph.D. (thesis), Open University, 1981

______, "Theology, Politics and Instruments in Church: Musicians and Monarchs in London, 1660-1760", Gottinger Handel-Beitrage 5, 1993

______, Handel and the Chapel Royal (2005)

Butcher, V., "Thomas Rosengrave", Music and Letters 9, 1938

______, The Organ s and the Music of Worcester Cathedral, Worcester (1981)

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Butler, G. G., "Music and Rhetoric in Early Seventeenth-Century English Sources ", Musical Quarterly 66, 1980

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Buttrey, J., "Did Purcell Go to Holland in 1691?", Music Times 110, 1969

Buxton, J., Elizabethan Taste (1963; 1983 reprint)

______, J., and Sadleir, T. U., New College, Oxford 1379-1979 (1979)

Byard, H., "Farewell to Merbecke?, Musical Times 113, 1972

Byler, A. W., Italian Currents in the Popular Music of England in the Sixteenth Century, Ph.D. (thesis), University of Chicago, 1952

______. "The Music for cittern and gittern in the Mulliner Book" Journal of the American Musicological Society 5, 1952

Byrd, William, 1542/3-1623, English Church music: part 1 [Tudor Church Music, v. 2] (1922)

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Caldwell, J. A., "British Museum Additional MS 29996: transcription and commentary", PhD (thesis) University of Oxford, 1964-65

______, Early Tudor Organ Music: I [Early English Church Music 6] (1965)

______, "Keyboard plainsong settings in England 1500-1600", [Musica Disciplina 19] (1965)

______(ed.), Early Tudor organ music: Music for the office. [Early English Church Music 6] (1966)

______, "The Pitch of early Tudor organ music", Music and Letters 51, 1970

______, English Keyboard Music before the Nineteenth Century (1973)

______," The‘Te Deum' in Late Medieval England", Early Music 6, 1978

______, Secular Vocal Music, 1575-1625", In The Oxford History of English Music. Vol. I: From the Beginning to c. 1715 (1991)

______, Oxford History of English Music. Vol. 1: From the Beginnings to c. 1715 (1992)

______, Tudor keyboard music, c.1520-1580 [Musica Britannica 66] (1995)

______, Editing Early Music [Early Music Series 5] (2nd ed. 1995)

Callon, G. J., Nicholas Lanier, his life and music: a study and edition, Ph.D. (thesis), University of Washington, 1983

______, "Songs with Theorbo by Charles Colemen and his contemporaries in Oxford, Bodleian Library MS Broxbourne 84.9 and London, Lambeth Palace Library MS 1041", Journal of the Lute Society of America 24, 1991

______ (ed.), Songs with Theorbo (c. 1650-1663), Oxford, Bodleian Library MS Broxbourne 84.9 and London, Lambeth Palace Library MS 1041 [Recent researches in the music of the Baroque Era 105] (2000)

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______, An Introduction to the skill of music in two books, ... (1655)

Cannon, H., Music in the English drama up to 1600, MA (thesis), University of Queensland, 1927

Carlton, C. Archbishop William Laud (1987)

______, Charles I, The Personal Monarch (1995)

Carnes, J. P., The famous Mr. Keach: Benjamin Keach and his influence on congregational singing in seventeenth century England, M.A. (thesis), North Texas State University,1984.

Carolan, L., Peter Philips' Keyboard Music, Ph.D. (thesis), Cambridge University [In progress]

Carpenter, N. C., "The Study of Music at the University of Oxford in the Renaissance (1450-1600)", Musical Quarterly 41, 1955

______, Music in the Medieval and Renaissance Universities (1958)

Carter, J. J., English Dramatic Music to the Seventeenth Century, and Its Availability for Modern Productions, Ph.D. (thesis), Stanford University, 1956

Carter, T, and Butt, J. (eds.), The Cambridge History of Seventeenth-Century Music (2007)

Casey, W. S., Printed English Lute Instruction Books, 1568-1610, Ph.D.(thesis), University of Michigan, 1960

Cattin, G. and Facchin, F. (eds.), French Sacred Music[Polyphonic Music of the Fourteenth Century Vol. 23B] (1992)

Cavanaugh, R. W., The Anthems in Musica Deo Sacra by Thomas Tomkins,
Ed. D., Music Education, University of Michigan, 1953

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550 (5 vols, 1979-8?)

Chambers, E. K., The Elizabethan Stage (4 vols., 1974 reprint)

Chan, M.," Edward Lowe's Manuscript British Library Add. 29396: The case for redating", Music and Letters 59, 1978

______, Drolls, Drolleries and Mid-Seventeenth Dramatic Music in England", Royal Musical Association Research Chronicle 15, 1979

______, "John Hilton's Manuscript, British Library Add. MS 11608", Music and Letters 60, 1979

Chaplin, S. A., "English Virginal Music between 1650 and 1660", Music Teacher 63, 1984

Chapman, C. G., English Pantomime and its music, 1700-1713, Ph.D. (thesis), Royal Holloway College, University of London, 1981

Chappell, W. (ed), Old English popular music ... (2 vols. 1893; reprint 1961)

______, The Ballad Literature and Popular Music of the Olden Time (1965)

Charles, S. R., The Music of the Pepys Ms 1236, Ph.D. (thesis), University of California at Berkeley, 1959

______, "The Provence and Date of the Pepys MS. 1236", [Musica Disciplina 16] (1962)

Charlton, A., Music in the Plays of Shakespeare: A Practicum (1991)

Charteris, R., "Jacobean Musicians at Hatfield House, 1605-1613", Research Chronicle 12, 1974

_____, "John Coprario's Five- and Six-Part Pieces: Instrumental or Vocal?", Music and Letters 57, 1974

______, John Coprario (Cooper) c. 1575-1626: A Study and Complete Critical Edition of His Instrumental Music, Ph.D. (thesis), University of Canterbury, New Zealand, 1976

______, John Coprario: Fantasia-suites ... [Musica Britannica 44] (1980)

______, "Another Six-Part Fantasia by Martin Peerson?, Chelys 9, 1980

______, "New Information about the Life of Alfonso Ferrabosco the Elder (1543-1588)", Royal Musicological Association Research Chronicle 17, 1981

______, Alfonso Ferrabosco (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar (1984)

______, "The Origin of Alfonso Ferrabosco the Elder's Six-Part Fantasia C224", Chelys 16, 1987

Chevill, E. J., Musical societies and musical life in old foundation cathedral cities 1700-60, PhD (thesis) University of London, 1993

______, "Clergy, music societies, and the development of a musical tradition: a study of music societies in Hereford, 1690-1760", In Concert life in eighteenth-century Britain, ed. S. Wollenberg and S. Veight (2004)

Cheverton, I., Captain Henry Cook (c1616-72): the Beginnings of a Reappraisal, Soundings, 9, 1982

Chew, G., "The Provenance and Date of the Caius and Lambeth Choirbook, Music and Letters 51, 1970

Child, F. J.( ed.), The English and Scottish Popular Ballads (1956 reprint)

Chitty, H., "Winchester College: the Organist and the Queristers' Master, 1541-1607", The Wykenhamist 11, 1912-13

Choice Ayres, Songs and Dialogues (5 books, 1673-84), [Music of London Entertainment, 1660-1800, Series A, vol. a/b] (1989)

Chrimes, S., Ross, C. D., Griffiths, R. A. (eds.) Fifteenth-Century England 1399-1509 (1972)

Clarke, A., (ed.)The Shirburn Ballads (1907)

Clarke, H. L., "John Blow: A Tercentenary Survey", Musical Quarterly 35, 1949

Clay, W. K. (ed.), Liturgical Services of the Reign of Queen Elizabeth (1847)

Clifford, G., A Description catalogue of the music collection at Burleigh House, Stamford (2002)

Clifford, J., The Divine Services and Anthems (1663)

Clulow, P., "Publication Dates for Byrd's Latin Masses", Music and Letters 47, 1966

Clutton, C. and Niland, A., The British Organ (1963)

Cobb, G. F., A Brief History of the Organs ... of Trinity College, Cambridge (1913)

Cochrane, L. A., String Consort Music of John Hingeston (c. 1610-83), Ph.D. (thesis), University of Bristol [In progress]

Cockman, I., Traethawd ar Gerddoriaeth gan y Telynor Robert Peilin (c.1613), M.Phil., (thesis), Wales (Aberystwyth), 1999

______, I., "Robert Peilin (c.1575-c.1638) and his Essay on Music", Welsh Music History v. 4

Cockshoot, G., The Sacred Music of Alphonso Ferrabosco (Father) (1543-1588), Ph.D. (thesis), University of Oxford, 1964

Cole, E., "In Search of Francis Tregian", Music and Letters 33, 1952

______, "Seven problems of the Fitzwilliam Virginal Book", Proceedings of the Royal Musical Association 79, 1952-53

Cole, S., The reception of the scared choral music of Thomas Talliss in noneteenth-century England, PhD (thesis), University of Melbourne, 2004

Colla, V. C., The sacred music of Robert Johnson (ca. 1500-ca. 1560), A. Mus. D.(thesis), University of Illinois at Urbana-Champaign, 1986

Colles, H. C., Voice and Verse: A Study in English Song (1928Collier, J. P., A Book of Roxburghe Ballads (1847)

Collingwood, B. D., A method of analyzing Early Tudor scared polyphony: the works of Robert Fayrfax (1464-1521) Ph.D. (thesis), University of Exeter [In progress]

Collins, H. B., "John Taverner's Masses", Music and Letters 5, 1924

______,"John Taverner", Music and Letters 6, 1925

______, "Thomas Tallis", Music and Letters 10, 1929

Collins, W. S., The Anthems of Thomas Weelkes, Ph.D. (thesis), University of Michigan, 1960.

______, "Recent Discoveries concerning the Biography of Thomas Weelkes", Music and Letters 44, 1963

Collinson, F., The Traditional and National Music of Scotland (1966)

Collinson, P., N. Ramsey and M. Sparks (eds.), A History of Canterbury Cathedral (1995)

Collmann, H. L., (ed.),Ballads and Broadsides chiefly of the Elizabethan Period , (1812; reprint 1971)

______, Ballads and Broadsides chiefly Of the Elizabethan Period and Printed in Black-Letter, Most of which were formerly in the Heber Collection and are now in the Library at Britwell Court Buckinghamshire (1912; 1971)

Colthorpe, M., "An Entertainment for Queen Elizabeth at Wimbledon in 1599" Records of Early English Drama Newsletter 10, 1985

______,"Anti-Catholic Masques Performed before Queen Elizabeth I," Notes and Queries 33, 1986

______,"The Theobalds Entertainment for Queen Elizabeth I in 1591, with a Transcript of the Gardener's Speech", Records of Early English Drama Newsletter 12, 1987

Connelly, P. C., The Viola de Gamba: the development of its technique and pedagogy to the present, MMus (thesis), UNiversity of Sydney, 1995

Connolly, M., John Shirley: Book Production and the Noble Household in Fifteenth-Century England (1998)

Cook, G. H., The English Cathedral (1957)

[Cooke, Henry], Some Account of Doctor Cooke (1837)

Coplande, R., The Manner of Dauncynge of Bace Daunces. , Oxford, Bodleian Library (Douce B. 507).

Coprario, John, Giovanni Rules on how to compose

Corrie, G. E., "Reasons for the Completion of Dr Tudway's Degree in Musick", Antiquarian Communications 2, 1864

Covert, V. A. T., The Sacred Music of Robert Johnson (1490-1560),D.M.A., Choral Music, University of Illinois

Craig-McFeeley, J., English Lute Manuscripts and Scribes 1530-1630, Ph.D. (thesis), University of Oxford, 1994

Crane, F., Extant Medieval Musical Instruments: A Provisional Catalogue by Types (1972)

______, Materials for the Study of the Fifteenth Century Basse Dance [Musicological Studies 16] [?]

Crawford, G. A., "Succession of Organist" In Cathedral Anthems published for the Cathedrals of ... Dublin (1881)

Crawford, M., Rhetorical structure in Seventeenth and Eighteenth-Century fugal music for keyboard, Ph.D. (thesis), University of Ulster [In progress]

Cross, C., Church and People 1450-1660 (1976)

Crosby, B., Catalogue of Durham Cathedral Music Manuscript (1986)

Crossley-Holland, P., "The Robert ap Huw Composers: Evidence for Date and Identity", Welsh Music History v.3

Crownfield, E. E., British Library, MS R.M. 24. d.2 and Oxford Christ Church, MS 979-83: Two Elizabethan musical sources copied by John Baldwin, M.A. (thesis), New York University, 1985

______, The Intellectual Backgrounds of Morley's Plaine and Easie Introduction, Ph.D. (thesis), New York University [In progress]

Cruickshank, D., Dancing in the Inns of Court (1965)

Cummings, D. (ed.), Random House Encyclopedic Dictionary of Classical Music (1997)

______, W., The Keyboard music of John Bull [Studies in musicology (71)] (1984)

Cunningham, J. P., The politics of music in the Stuart Court, c.1625-42, Ph.D. (thesis), University of Leeds [In progress]

______, Music for the privy chamber: studies in the consort music of William Lawes (1602-45), Ph.D. (thesis), University of Leeds, 2007

Cunningham, J. P. (ed.)., Dancing in the Inns of Court (1965)

Cunningham, P., Indigo Jones, a Life (1853)

Cunningham, W. E., The Keyboard Music of John Bull, Ph.D. (thesis), University of California at Berkeley, 1981

______, W. E., The Keyboard Music of John Bull [Studies in musicology 71] (1984)

Curtis, G. R. K., The English Masses of Brussels, Bibliothèque Royale, MS 5557.
Ph.D. (thesis), University of Manchester, 1979

Cutts, J. P., The Contributions of Robert Johnson, King's Musician, to COurt and Theatrical Entertainment, Ph.D (thesis), University of Reading, 1953

______, J. P., "Robert Johnson, King's Musician in His Majesty's Public Entertainment", Music and Letters 36, 1955

______, "Robert Johnson and the Court Masque", Music and Letters 41, 1960

______, La Musique de scene de la troup de Shakespeare (1959)

D

Daniel, R. T., and Le Huray, P. G., The Sources of English Sacred Music, 1549-1644 [Early English Church Music, Suppl. 1] (1972)

Danner, P. K., The Miserere mihi and the English Reformation, Ph.D. (thesis), Stanford University, 1967

______, "Dd.4.23 or English Cittern Music Revisited", Journal of the Lute Society of America 3, 1970

Dart, R. T., "Morley's Consort Lessons of 1599", Proceedings of the Royal Musical Association 74, 1947-48

______, "A New Source of Early English Organ Music", Music and Letters 35, 1954

______, "New Sources of Virginal Music", Music and Letters 35, 1954

______, "Lord Herbert of Cherbury's Lute Book", Music and Letters 38, 1957

______, "Music and Musicians at Chichester Cathedral, 1545-1642", Music and Letters 42, 1961

______, "A Suppressed Dedication for Morley's Four-Part Madrigals of 1594", Transactions of the Cambridge Bibliographical Society 3, 1963

______(ed.), John Bull, Keyboard Music [Musica Britannica 14, 19] (1963-70)

______, The Interpretation of Music (4th ed.; 1967)

______, "Henry Loosemore's Organ Book", Cambridge Bibliographical Society, III, No. 2, 1967

Dart, T., "The Cittern and English Music", Galpin Society Journal 1, 1948

______, "Notes and Queries: English Cittern Music", Galpin Society Journal 6, 1953

______, "A Hand-List of English Instrumental Music Printed before 1681", Galpin Society Journal 8, 1955

______ (ed.), Suite from Royal Brass Music of King James I (1959)

______, "Music and Musicians at Chichester Cathedral, 1545-1642, Music and Letters 42, 1961

______, and Coates, W., Jacobean consort music [Musica Britannica 19] (1967)

Davenport, M., The Dances and Aires of William Lawes (1602-1645): Context and style, Ph.D. (thesis), University of Colorado at Boulder, 2001

Davey, H., "John Dunstable", Musical Times 45, 1904

______, History of English Music (2nd ed. ; 1921)

Davis, A., The recorder in the Baroque orchestra, Ph.D. (thesis), University of Birmingham [In progress]

Davis, B., "Re-examining Tudor music: The historiography of the Reformation, or the reformation of histography", Early Music 29, 2001

Davis, W. R., Thomas Campion (1987)

Davison, A. T., Church Music: Illusion and Reality (1952)

______ and Apel, W. A., Historical Anthology of Music (1946)

Davison, N. (ed.), The Western Wind Mass for Four Voices by Christopher Tye (1969)

______, "The "Western Wind" Masses ", Musical Quarterly 57, 1971

Dawe, D., Organists of the City of London 1666-1850 (1983)

Dawes, F., "Nicholas Carlton and the Earliest Keyboard Duet", Musical Times 92, 1951

Day, C. L., and Murrie, E. B. (eds.), English Song-Books 1651-1702, a bibliography with a first-line index to songs (1940)

______, T. (comp.), British Library National Sound Archive. A discography of Tudor Church music (1989)

Day, J., The Whole Psalter (1563)

______, Morning and Evening Prayer (1565)

Day, T., A discography of Tudor church music,  compiled and introduced by Timothy Day (1989)

______, "Tallis in performance", Early Music 33, 2005

Daye, A., "Torchbearers in the English masque", Early Music 26, 1998

Dearmer, P.,Vaughn Williams, R., and Shaw, M. (eds.), The Oxford Book of Carols (1928)

Dearnley, C., English Church Music 1650-1750 In Royal Chapel, Cathedral and Parish Church (1970)

______, The Treasury of English Church Music, Vol. 3, 1650-1750 (1970)

______, English Church Music 1650-1750

Degering, H., Die Orgel (1905)

del Amo, F., Music by 17th-Century viol-playing English Catholic working in Europe, Ph.D. (thesis), University of Leeds [In progress]

Demming, H., "The Sources of the Agincourt Carol", Early Music 35, 2007

Denevant, D. L., Music at the court of Henry VIII, University of Cincinnati. Ph.D. (thesis)

Denhard, A. A., Lute realizations for the English Cavalier songs: A guide for the performers, Ph.D. (thesis), University of Indiana [In progress]

Dennison, P.,"The Sacred Music of Matthew Locke", Music and Letters 60, 1979

______, Pelham Humphrey (1986)

Dent, E. J., Foundations of English Opera (1928)

Deutsch, O. E., "The Editions of Morley's 'Introduction'", The Library, 4th ser., 25, 1943

______, Handel, A Documentary Biography (1955)

DeVos, B. R., The Emergence of Tudor Church Music in the Vernacular,
Ph.D. (thesis), Boston University, 1971

Dexter, K. J., The Provision of Choral Music at St. George's Chapel, Windsor Castle and Eton College ca. 1640-1733, Ph.D. (thesis), Royal Holloway College, University of London, 2000

______, A good quire of voices: The provision of choral music at St George's Chapel, Windsor Castle, and Eton College, c. 1640-1733, (2002)

Dickens, A. G., The English Reformation (1964)

Dickinson, A. E. F.,"Thomas Weelkes", In The Music Masters, ed. A. L. Bacharachn, 1 (1948)

Dictionary of Organs and Organists (1921)

Dimsdale, V. L., The Lute Consort in Seventeenth-Century England, Ph.D. (thesis), University of Oxford, 1968

______, "English Sacred Music with Broken Consort", Lute Society Journal16, 1974

Dixon, P., Dixon, Peggy. Early Dance Book 3, Elizabethan Dances Part 1 [n.d.]

______, Early Dance Book 4, Elizabethan Dances Part 2 [n.d.]

______, Early Dance Book 5, English Country Dances (17th & 18th C) [n.d.]

Dixon, W. E., A Catalogue of Ancient Choral Services and Anthems ... in the Cathedral Church of Ely (1861)

Dobson, E. J. and Harrison, F. L. (eds.), Medieval English Songs (1979)

Dodd, G., "Alfonso Ferrabosco II - The Art of the Fantasy", Chelys 7, 1977

______, "A Summary of Music for Viols", Early Music 6, 1978

______(comp.), A Thematic Index of Music for Viols, 1980-92

Doe, P., "Latin Polyphony under Henry VIII", Proceedings of the Royal Musical Association 95, 1968-9

______, "Tallis's Spem in allum and the Elizabethan Respond-Motet, Music and Letters 51,1970

______, Another View Musica Ficta in Tudor Music", Proceedings of the Royal Musical Association 98, 1971-72

______, Tallis (2nd ed. 1976)

Dolmetsch, M., Dances of England and France from 1450 to 1600, (1949)

Donahue, Sister B. J,, O.S.B., From Latin to English: Plainsong in Tudor England, Ph.D. (thesis), Catholic University of America, 1967

Donington, R., The Interpretation of Early Music (1963, 1989 rev.)

______, Baroque Music: Style and Performance: A Handbook (1982)

Donington, R., and Dart, T., "The Origin of the In Nomine", Music and Letters 30, 1949

Doughtie, E., English Renaissance Song (1986)

Douglas, W., Church Music in History and Practice (1963)

Dowden, J., The Medieval Music in Scotland (1910)

Dowland, R., Varietie of lute-lessons (1610)

Dowling, M., "The Printing of John Dowland's Second Booke of Songs and Ayres'", The Library 4th ser., 12, 1932

Downes, R., "Purcell: An organist's view of the organ works", In Henry Purcell, 1659-1695, Holst, I. (ed.) (1959)

Duckles, V., "John Jenkins, settings of lyrics by George Herbert", Musical Quarterly 48, 1962

Duffin, R. W., "To Entertain a King: Music for James and Henry at the Merchant Taylors Feast of 1607", Music and Letters 83, 2002

Duffy, J. C., The Vocal Works of Alfonso Ferrabosco, the Younger, c. 1575-1628, Ph.D. (thesis), Boston University, 1979

Dugdale, W., Old St Paul's (c. 1680)

______, History of St. Paul's, with additions by H. Fells (1818)

Dumitrescu, T., Anglo-Continental Musical Relations c. 1485-1530,Ph.D., (thesis), Oxford University

Duncan, T. G. (ed.), Late Medieval English lyrics and carols, 1400-1530 (2000)

Dunevant, D. L., Music at the Court of Henry VII, Ph.D. (thesis), University of Cincinnati [In progress]

Duric, M., Music Theory and Compositional Practice in England, c. 1660-c.1730. Ph.D. (thesis), King's College, University of London [In progress]

Durost, B. J., The academic and court odes of William Croft (1678-1727), DMA (thesis), Claremont Graduate School, 1997

Dussauze, H., Captain Cooke and his Choir-boys, Ph.D. (thesis) University of Paris, Sorbonne, 1911

Dutton, R. (ed.), Jacobean and Caroline Masques (1981)

E

Easson, D. E., Medieval Religious Houses in Scotland (1957)

East, Thomas, The Whole Book of Psalms: With Their Wonted Tunes, Harmonized in Four Parts ... Rimbault, E. F., (ed.), 1844

Eaton, F. A., The Origins of Cantus Firmus Used in English Magnificats from the Fourteenth to the Seventeenth Centuries, D.M.A., Choral Conducting, University of Washington, 1987

Edahl, A. S., The Use of Pre-Existing Material in the Early Tudor Mass Cycle,
Ph.D. (thesis), University of Wisconsin-Madison, 1993

Edgar, T. A., The history and development of the English catch, Ph.D. (thesis), Monash University, 1997

Edwards, F., Robert Persons, the Biography of an Elizabethan Jesuit, 1546-1610 (1995)

Edwards, F. G., "A Famous Music Printer, John Day, 1522-1584", Musical Times 47, 1906

Edwards, O., English 18th century concertos: and inventory and thematic catalogue (2005)

Edwards, W. A., "The Performance of Ensemble Music in Elizabethan England", Proceedings of the Royal Musical Association 97, 1970-71

_____, Instrumental Consorts in England from the Accession of Henry VIII to the Commonwealth, Ph.D. (thesis), Cambridge University, 1972

______,The Sources of Elizabethan Consort Music, (thesis). Cambridge University, 1974

______. ‘The Walsingham Consort Books', Music & Letters lv ,1974

______, "The Instrumental Music of Henry VIII's Manuscripts", The Consort 34, 1978

Einstein, A., "The Elizabethan Madrigal and Musica Transalpina", Music and Letters 25, 1944

Eitner, R., Biographisch-Bibliographisches Quelle-Lexicon (10 vols.; 1900-04)

Eldridge, M. T., Thomas Campion (1567-1620): His Poetry and Music: A Study in Relationships, Ph.D. (thesis), University of Pennsylvania, 1958

Elliott, K., Music of Scotland, 1500-1700, Ph.D. (thesis), University of Cambridge, 1960

______, "Scottish Music of the Early Reformed Church", Transactions of the Scottish Ecclesiological Society 15, 1961

______, "Another one of the Thomas Wood's Mussing Parts", Innes Review 39, 1988

______, and H. M. Shire (eds.), Music of Scotland, 1500-1700 [Musica Britannica 15] (2nd ed. 1964; 1957)

Elton, G. R., Reform and Reformation: England, 1509-1558 (1977)

Emden, A. B., A Biographical Register of the University of Oxford to A.D. 1500 (1957-59)

Emmerson, G. S., Rantin' Pipe and Tremblin' String; a history of Scottish dance music (1971)

Emslie, M., "Nicholas Lanier's Innovations in English Song", Music and Letters 41, 1960

Epps, D., John Gerade, DMus (thesis), University of Edinburgh, 1964

Euing Collection of English Broadside Ballads (1971)

Evans, D. R. A., The Anthems of Adrian Batten (1591-1637): A Complete Edition with Commentary and Critical and Historical Essay, Ph.D. (thesis), University of Wales, 1970

______, "Thomas Tomkins and the Prince of Wales", Welsh Music 7, 1983

______, "A Cornish musician in Wales", Journal of the Institute Cornish Studies, 15, 1987

______, "John Tomkins and the Batten Organ Book", Welsh Music 8, 1987-88

Evans, H. A. (ed.), English Masques (1906)

Evans, W. M., Henry Lawes, Musician and Friend of Poets (1941)

Eward, S., No Fine but a Glass of Wine: Cathedral Life at Gloucester in Stuart Times (1985)

F

Fallows, D., "The Drexel Fragments of Early Tudor Song", Royal Musicological Association Research Chronicle 26, 1993

______, Songs and Musicians in the Fifteenth Century (1996)

______, The Gresley Dance Collection, c. 1500 [Royal Musicological Association Research Chronicle 29] (1996)

______, A Catalogue of Polyphonic Songs 1415-1480 (1999)

Fallows, D. N., Robert Morton's Songs: A Study of Styles in the Mid-Fifteenth Century, Ph.D. (thesis), University of California at Berkeley, 1978

Farmer, H. G., Music in mediaeval Scotland (1931)

______, A History of music in Scotland (1947)

Farnsworth, R., "Hither, This Way": A Rhetorical-Musical Analysis of a Scene from Purcell's "King Arthur", Musical Quarterly 74, 1990

Faust, V. T., Music has learn'd the discords of the state: The cultural politics of British opposition to Italian Opera, 1706-1745, Ph.D. (thesis) Haverford College, 2006

Fawcett, F. B., (ed.), Broadside Ballads of the Restoration Period: The Osterly Park Ballads ( 1930)

Fayrfax, Robert (1464-1521). Masses Tecum principium and O quam glorifica, ed. R. Bray [Early English Church Music 45] (2004)

Fellowes, E. H. (ed.), The English Madrigal School (37 vols.) (1913-1924)

______, "Thomas Weelkes", Proceedings of the Musical Association 42, 1915-16

______(ed.), The English School of Lutenist Song Writers (16 vols.) (1920-1932)

______, The English Madrigal Compose (1921)

______(ed.), Madrigals in five voices (1924)

______, Orlando Gibbons (1925)

______,The English madrigal (1925)

______, Catalogue of Manuscripts in the Library of St Michael's College, Tenbury (1934)

______, Organists and Masters of the Choristers of St George's Chapel (1939)

______,"The Vicars and Minor Canons ... of St George's Chapel", [Windsor Historical Monographs] (1945)

______, William Byrd (1936 ; 1948)

______, The English madrigal composers (1948)

______, "My Ladye Newell's Booke", Music and Letters 30, 1949

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______, Miscellaneous keyboard pieces [by] Henry Purcell (1964)

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______, "Instrument makers named Hill and Hunt in Pepys's London"Galpin Society Journal 55, 2002

______, "Viol making in England c.1580-1660", Galpin Society Journal 57, 2004

______, "Instrument making in Oxford", Galpin Society Journal 57, 2004

______, "An 'Old Old Violl" and other lumber: Musical remains in Provincial, Non-noble England c. 1580-1660", Galpin Society Journal 58, 2005

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______, "Entries Relating to Music in the English Patent Rolls of the Fifteenth Century", The Musical Antiquarian 4, 1913

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______,"The Chapel Royal at the Restoration", Monthly Musical Record 70, 1940

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______, Antiphonale Sarisburiense (1901-26)

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______, M. (ed.), Historical companion to Hymns Ancient and Modern (1962)

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______, "Ben Jonson's Plays and their Contemporary Music", Music and Letters 108, 1977

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Gale, M., Learning the lute in Early Modern England, Ph.D. (thesis), University of Southampton [In Progress]

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______. The Lute and Musick's Monument, Galpin Society Journal 12, 1959

______, "The Orpharion and the Bandora", Galpin Society Journal ?, 1960

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______, Early English Organ Musick (1939)

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Godt, I., "Prince Henry as Absalom in David's Lamentations", Music and Letters 62, 1981

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______, "Instruments in Robert Fludd's Utriusque Cosmi ... Historia", Galpin Society Journal, 1973

Gomez, M.,'Une version a cinq voix du motet "Apollinis eclipsatur/Zodiacum signis" dans le manuscript E-BCEN 853',[Musica Disciplina 39] (1985)

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Graham, F., Lanier: The early life and work of Nicholas Lanier (1588-1666), M.A. (thesis), Columbia University, 1967

Gray, W. B., A Comparison of the Latin and English Sacred Choral Compositions of William Byrd, Ph.D. (thesis), University of Wisconsin, 1962

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______, An Anthology of English Medieval and Renaissance Vocal Music: Part Songs for one to six voices (1961)

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______, P., "Melodic formulae in the Robert ap Huw Manuscript", Welsh Music History v. 3

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______, "Part-Songs of the English Lutenists", Proceedings of the Royal Musical Association 94, 1967-68

______(ed.), Collected English Partsongs II [Musica Britannica 54] (1989)

______, Vocal Music I: Up to 1660, In The Seventeenth Century [The Blackwell History of Music in Britain, v. 3] (1992)

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______, "Morley's rule of first species canon", Early Music 34, 2006

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Hadaway, R., "The Cittern", Early Music1, 1973

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Hamilton, E., Music printing in London: 1588 to c.1641, Ph.D. (thesis), University of Leeds [In Progress]

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______, "A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts" [Musical Disciplina 22] 1968

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Hansard, M., The Vocal Polyphonic Style of the Latin Church Music of Thomas Tallis (ca. 1505-1585), D.M.A., Music, University of Kentucky, 1971

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______, "Music at the English Court in the Eighteenth and Nineteenth Centuries", Music and Letters 1, 1969

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______, British Harpsichord Music (2 vols.) (1992-94)

______, William Byrd: Gentleman of the Chapel Royal (1997)

______, "New light on William Byrd", Music and Letters 79, 1998

______, Orlando Gibbons and the Gibbons Family of Musicians (1999)

______, William Byrd's Modal Practice (2005)

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Harmon, R., "Studies in the Cambridge Manuscripts I: Musica", Lute Society Journal 38, 1998

Harper, J., "Distribution of the Consort Music of Orlando Gibbons in Sixteenth-Century Sources", Chelys 12, 1983

______, The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century (1991)

Harper, J., "Philip ap Rhys and his Liturgical Organ Music Revisited", Welsh Music History 2, 1997

Harper, S., "The Bangor Pontifical: A Pontifical of the Use of Salisbury", Welsh Music History 2, 1997

______,S., ‘Tunes for a Welsh Psalter: Edmwnd Prys's Llyfr y Psalmau', Studia Celtica 37, 2003

______, S., Sally Harper, "An Elizabethan Tune List from Lleweni Hall, North Wales", Royal Musical Association Research Chronicle 38, 2005

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Harrison, F. L., "The Eton Choirbook: its Background and Contents", Annals of Music 1 (1953)

______, Eton Choirbook [Musica Britannica, 10-12] (1956-61)

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______, "Faburden in Practice", [Musica Disciplina 16] 1962

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______, Music in Mediaeval Britain (4th ed. 1980)

Harvey, D. R., Henry Playford: A Bibliographical Study, Ph.D. (thesis), Victoria University of Wellington, 1985

Harvey, J., Gothic England (1947-48)

Harwood, I., "The Origins of the Cambridge Lute Manuscripts", Lute Society Journal 5, 1963

______, "Rosseter's Lessons for Consort of 1609", Lute Society Journal 7, 1965

______, "Thomas Robinson's Generall Rules", Lute Society Journal 20, 1978

______, "A Case of Double Standards? Instrumental Pitch in England c.1600", Early Music 9, 1981

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______, Supplement to General History of . . . Music (1776)

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Heartz, "An Elizabethan Tutor for the Guitar", Galpin Society Journal 16, 1962

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Hendrie, G., "The Keyboard Music of Orlando Gibbons (1583-1625)", Proceedings of the Royal Musical Association 89, 1962-63

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______, The World Turned Upside Down: Radical ideas during the English Revolution (1971)

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Holman, C. W., John Day's Certaine Notes (1560-65), Ph.D., (thesis), University of Kansas, 1991

Holman, P., "The Jonsonian Masque", Music and Letters 55, 1974

______, "Continuo realizations in a Playford songbook", Early Music 6, 1978

______, "New Sources of Music by Robert Johnson", Lute Society Journal 20, 1978

______(ed.), Fantasia de Sei Soprani by William Daman (1981)

_____(ed.), The Royal Wind Music, Vol. I: Pavans and Gallards in 5 Parts by Augustine Bassano (1981)

______(ed.), The Royal Wind Music, Vol. II: Four Fantasias in 5 Parts Jerome Bassano (1981)

______(ed.), The Royal Wind Music, Vol. III: The Suites of Charles Coleman and Nicholas Lanier in Five Parts (1982)

______, Seven Dances from the Court of Henry VIII (1983)

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______, Henry Purcell (1995)

______, "Performance in context: Compositional choices in Henry Purcell's Three Parts upon a Ground", Early Music 29, 2001

Holland, R. J. T., The madrigals of Peter Philips, MA (thesis), University of Sydney, 1962

Holmes, D., Italian monody in early Seventeenth-Century England, Ph.D. (thesis), University of Illinois at Urbana Champagne [In progress]

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______, "My Favorite Tudor Composer", Midland Musician 1, 1926

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______, and Rimbault, E. F., The Organ, Its History and Construction (3rd ed. ; 1877)

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Hoppe, H. R., "John Bull in the Archduke Albert's service", Music and Letters 35, 1954

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______, The New Oxford History of Music III: Ars Nova and the Renaissance 1300-1540 (1960)

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Hudson, R., The allemande, the balletto, and the Tanz (2 vols., 1986)

Hufstader, A. A., "Samuel Pepys, Inquisitive Amateur", Musical Quarterly 54, 1968

Hughes, Dom A., "Old English Harmony", Music and Letters 6, 1925

______, "Music in the Chapel of King Henry VI", Proceedings of the Musical Association 60, 1933

______, "Background to Roy Henry Music", Musical Quarterly 27, 1941

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______, Medieval Polyphony in the Bodleian Library (1951)

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______, and Bent, M. (eds.) The Old Hall Manuscript [Corpus Mensurabilis Musicae 46] (1969-73)

Hughes, C. W., "Porter, Pupil of Monteverdi", Musical Quarterly 20, 1934

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Hulse, L., "John Hingeston", Chelys 12, 1983

______, "Sir Michael Hickes (1543-1612): a study in musical patronage", Music and Letters 66, 1985

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______, Musical Patronage of the English Aristocracy c.1590-1640, Ph.D.(thesis), University of London, 1993

______, "Apollo's Whirligig: William Cavendish, Duke of Newcastle and his musical collection, The Seventeenth Century 9, (1994)

Humphreys, D., "Philip van Wilder: A Study of his Work and its Sources", Soundings 9, 1979-80

Humphreys, D. L., Aspects of the Elizabethan and Jacobean Polyphonic Motet, with Particular Reference to the Influence of Alfonso Ferrabosco the Elder on William Byrd, Ph.D. (thesis), University of Cambridge, 1976

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______, Est's Psalter (2 vols.) 1969

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______," Sacred Music omitted from Musica Deo sacra", In Thomas Tomkins: The last Elizabethan (2005)

James, S. E., "Nicholas Lanier: A Greenwich Notable, Part 1: 1588-1612" Journal of the Greenwich Historical Society 1, 1992

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______, John Eccles: the Last of a Tradition, Ph.D. (thesis), University of Oxford, 1963

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______, "Captain Cooke: a Tercentenary Tribute", Musical Times 113, 1972

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______, "Form in the ... 17th century", Proceedings of the Royal Musicological Association 65, 1938

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______, "The Earliest keyboard duets", Musical Quarterly 29, 1943

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______, [Another ed.] (3 vols. 1969)

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